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Tag: Novel

On Conflict in Ukraine and in Two War Stories (Newsletter)

This month’s topical commentary comes with a commercial.

In a perverse twist of ancient history, here comes the Ides of March and Ukrainians are falling to bombs, missiles, and shells aimed at them by a modern-day power-mad emperor. We’re in dangerous territory that could have been skirted. I can’t help but feel things would have been different had the US and EU not engineered a 2013 coup in Ukraine that threatened to make it an anti-Russian economic and military outpost. (If you object to the socialist slant of that article, see this 2019 paper by neorealist political scientist John Mearsheimer that largely agrees with its analysis.) Read and weep about what the West hoped to reap at Russia’s expense — an enlarged military perimeter, lucrative investments, austerity measures, neofascist nationalism…

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The Serpent Papers: A Novel by Jeff Schnader

 

Though I’ve never met Jeff Schnader, we are both fellow alumni of Columbia University and fellow authors whose work has been excerpted at The Write Launch, where I learned he had set a novel on campus during the riotous years of Vietnam War protests. I remember those days well, though not as well as him. Of course, I had to seek him out. That wasn’t hard, as he has a website that runs down his career as a physician, journal editor, published science writer, and now fiction writer, and found him welcoming. Aside from being a thoracic surgeon, I have a lot in common with Jeff (besides first names), and now we have both published subversive novels. So, let’s hear it for:

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One Day in Istanbul, the Star of Elliot Ackerman’s Newest Novel

A review of Red Dress in Black and White by Elliot Ackerman. Alfred A. Knopf, 2020, 272 p., with reference to Liar’s Candle by August Thomas, Scribner, 2018, 310 p.

Because I am an American married to a Turk and have written about her country in memoirs and a novel, I tend to gravitate to novels by Americans that are set in that big, messy, volatile country that’s hard for outsiders to get their heads around. Even though it has been a liberal democracy almost a century, modernity still clashes with tradition, poverty mushrooms in the dark shadows of wealth, and as in many countries of late—sadly including mine—its politics have grown distinctly illiberal. As one of Elliot Ackerman’s characters cynically remarks, “There is no Turkey, only Turkish elites.”

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